Friday, April 11, 2025

Spring Pops Livestream

Spring Pops!

Friday, April 11, 2025 • 7:00 PM
The Concord Band
James O‘Dell, Music Director and Conductor

View Livestream

Program

ConcordClare Grundman
North Bridge PortraitStephen Bulla
Selections from 1776Sherman Edwards
 arr. Frank Erickson
Concord and LexingtonGeorge Wright Briggs, Jr.

Intermission

Seeds of RevolutionDaniel Lutz
  1. Taunting
  2. Conflict
  3. Independence
Video Games Live Part 1Marty O’Donnell
Epic Gaming Themesarr. Paul Murtha
Conducted by Jim Dorney
Soundtrack Highlights from Guardians of the Galaxyarr. Michael Brown

Wednesday, March 19, 2025

Spring Pops joins Concord250 festivities

Spring Pops 2025

Concord Band Performs Revolutionary Music

The Concord Band will present its spirited Spring Pops! concert on Friday, April 11, 2025, at 51 Walden Performing Arts Center. The program commemorates the 250th anniversary of the Battles of Lexington and Concord as part of Concord250 festivities this year throughout the town of Concord. The concert features two compositions specially commissioned to honor the historic events of April 19, 1775.

North Bridge Portrait by noted composer and arranger Stephen Bulla was commissioned by the Concord Band. The composition builds on foreboding melodies leading to martial themes, culminating in the fateful “shot heard ’round the world” at Concord's North Bridge. The program also features Seeds of Revolution, recently commissioned by the Lexington Bicentennial Band and composed by Daniel Lutz, Director of University Bands at UMass Lowell. Seeds of Revolution depicts unfolding events and growing sentiments in Massachusetts leading up to April 19, 1775. The performance continues with a march representing both historic towns, aptly titled Concord and Lexington, written by George Briggs, former band director at Harvard University. The Concord250 program concludes with Concord, composed for the U.S. Marine Band by Clare Grundman, incorporating traditional tunes from colonial New England, “The White Cockade,” William Billings' “America,” and “Yankee Doodle.” Grundman noted that “Yankee Doodle” was a very popular tune for jigs and country dances, but for his composition he used 7/8 time for an exuberant and clever ending.

James Dorney
guest conductor

Music Director James O’Dell has also selected twenty-first century music representing the digital revolution, drawn from video games and superhero movies. Epic Gaming Themes by Paul Murtha elevates classic video game soundtracks to the stature of film scores. Video Games Live, by Marty O’Donnell, includes excerpts from a Hollywood concert phenomenon celebrating music from video games that toured around the world from 2005 through 2015. This composition will be conducted by Concord Band clarinetist James Dorney, who studied conducting at SUNY Geneseo. The Concord Band will perform Soundtrack Highlights from Guardians of the Galaxy, arranged for band by Michael Brown. The powerful soundtrack is based on popular hits of the 1960s and 1970s, which the film's protagonist plays to remind him of his childhood on Earth.

Tickets to the Spring Pops concert are $25 for adults and $10 for children 12 and under. Admission includes open seating and complimentary refreshments. Tickets are available at ticketstage.com/concordband. Additional information about the Concord Band is available at www.concordband.org and on Facebook.

Friday, March 14, 2025

Announcing Spring Pops!

Spring Pops 2025 poster

Commemorating Concord 250 with North Bridge Portrait by Stephen Bulla (Concord Band 1999 commission), and Seeds of Revolution by Director of Bands at the University of Massachusetts Lowell, Daniel P. Lutz.

Also introducing an exciting program inspired by video games and comics, including Epic Gaming Themes, Guardians of the Galaxy, Video Games Live and more!

Tickets include complimentary light refreshments, available at ticketstage.com/concordband at $25 for adults and $10 for children twelve and under.

Saturday, March 8, 2025

Winter Concert Livestream

Music from Warm Places

Saturday, March 8, 2025 • 7:00 PM
The Concord Band
James O‘Dell, Music Director

View Livestream

Program

Little Mexican SuiteNubia Jaime-Donjuan
  1. Ahuehuete
  2. Ayacahuite
  3. Sahuaro
  4. Ceiba
Volver A La Montaña (Return to the Mountain)Shelley Hanson
Fantasia LatinaTerry White
Commissioned by Neil Tischer, Concord Band percussionist

Intermission

Concerto for Clarinet and Wind BandÓscar Navarro
Jerry Vabulas, clarinet
Area 9 Saxophone Quartet
Bennett Parsons, Cara Hachten, John Rabinowitz, Seychelle Corbin
Saxophone QuartetAldemaro Romero
  1. Fandango
  2. Choro y Tango
Concord Band
Con Sabor Español (With a Spanish Flavor)Lew Buckley

Friday, February 28, 2025

Spotlight: Clarinet Soloist Jerry Vabulas

Jerry Vabulas
clarinet

Jerry Vabulas will be the featured clarinet soloist at the Concord Band’s winter concert, themed “Music from Warm Places.” The performance will be 7pm, March 8, 2025, at the 51 Walden Performing Arts Center in Concord MA.

Jerry Vabulas is a native of New York City and grew up on Long Island. He took up clarinet in grade school, on the assumption that the clarinet was among the smallest of instruments and easiest to carry. “That was a miscalculation. Little did I know I would later be carrying around a double case of A and B-flat clarinets, along with a separate E-flat clarinet and basset horn cases on occasion.”

His family had a few phonograph records that interested the young musician. “Two pieces attracted me and have remained close to me ever since. The first was the Shostakovich ‘Polka’ from the ballet The Age of Gold. I learned from it how outrageous and utterly humorous music could be. The second was the Prokofiev ‘March, Op. 99.’ That taught me how music could simultaneously express multiple levels of seemingly contradictory emotions. Music is an art that strikes deeply into a listener's heart, and the best music seems always to have a touch, or more, of sadness while simultaneously expressing the highest joys and the laughter of life: tragedy and comedy at the same time.”

Jerry began private instruction in high school and started performing with the school band, which often played transcriptions of famous classics such as Semiramide Overture, the 1812 Overture and the Zampa Overture. He became principal clarinet during his sophomore year. The band also ventured into popular musical styles, performing Rhapsody in Blue, and even touring to Puerto Rico for a production of West Side Story.

In more ways than one, music has played a pivotal role in Jerry's life. “I met a very nice Korean girl playing violin in Brooklyn. I decided to ask my pianist friend how to say ‘hello’ in Korean. That girl became my wife, Seung-Won. She had played in the Seoul Philharmonic before coming to this country, and her sister had played in the KBS Symphony. At our wedding it turned out that a number of friends on my wife's side knew my pianist friend from his days in Korea, a pleasant surprise for all.”

Over the next forty years, Jerry and Seung-Won raised a family comprising a son and two daughters, instilling Jerry’s passion for both America’s Pastime and America’s great outdoors, having visited many Major League ballparks and National Parks on summer road trips.

Professionally, Jerry became conversant in certain matters of telecommunications and computers, and consulted for a number of large organizations. “Receiving respect in the business arena is no different than in the orchestra. Respect is earned by being an able participant and going beyond what is simply required, helping others and solving problems. One of the founders of Bloomberg told me, ‘You know what we need before we know we need it.’ It is the same as in performing music: try to do your best, and help everyone around you as best you can.”

Music Director James O'Dell introduced Jerry to Navarro’s Concerto for Clarinet and Wind Band when he was searching for a performance piece with another concert band. Óscar Navarro is a wonderful Spanish composer. He has written music for feature films as well as concert works. His works have been performed by orchestras throughout the Americas and Europe. He has been awarded a number of awards for his scores in the film industry. Although rehearsal constraints precluded that performance, “to my great appreciation, Jim asked me if I would perform it with the Concord Band. I immediately agreed.”

“I want to express my thanks to Jim O'Dell and the members of the Concord Band for the hard work and enthusiasm they have put into the rehearsals.  I hope the audience will share our enjoyment of this multifaceted Concerto.”

Friday, February 21, 2025

Spotlight: Area 9 Saxophone Quartet

Area 9 Saxophone Quartet

Area 9 to Perform at Concord Band Winter Concert

7pm March 8th at 51 Walden Performing Arts Center

The Area 9 Saxophone Quartet is a Boston-based ensemble dedicated to exploring the rich, diverse and ever growing chamber music repertoire for saxophone. Recent performances have included works by Bach, Debussy, Glazunov and Vaughan Williams, as well as compositions by Sidney Bechet, Paul McCartney, Freddie Mercury and Herbie Hancock. Area 9 is also proud to have commissioned and debuted new works by contemporary composers, including Jun Feng’s Somehow, Tango, performed at the Longy School of Music in Cambridge, MA, and Michael Kosch’s Castle in the Air, which Area 9 premiered at the Metropolitan Playhouse in NYC. This is Area 9's second appearance as guest artists with the Concord Band.

Venezuelan-born Aldemaro Romero is credited with creating a new musical genre, the Ondo Nuevo, a combination of Venezuelan fandango and Brazilian bossa nova. In his composition, Saxophone Quartet, the exuberant Fandango movement features kaleidoscopic harmonies over a driving rhythmic pulse, while in the joyous and virtuosic Choro Y Tango, each horn gets a chance to shine.

Bennett Parsons (soprano) is a sought-after saxophonist and multi-woodwind artist based in the Boston area. He is the saxophonist of the Kalliope Reed Quintet, which has commissioned and premiered over 20 new works since 2019. He regularly plays with other leading Boston area chamber groups including the Jamaica Plain Saxophone Quartet and Improbable Beasts bass clarinet choir. He has appeared on saxophones, clarinets and oboe with local orchestras including the Phoenix Orchestra, Cape Ann Symphony, New Bedford Symphony and Glens Falls Symphony. As a soloist, Bennett has won concerto competitions at Harvard in 2016 and New England Conservatory in 2019. Bennett serves on the Board of the Boston Woodwind Society and works a day job as a software engineer at Microsoft.

Cara Hachten (alto) is an active soloist, chamber musician, and woodwind teacher. Cara is passionate about curating connections, collaborating with other musicians, and inspiring audiences. Cara also performs with the Firebird Pops Orchestra, Opus One Big Band, and Timberlane Community Jazz Band. She has performed in recordings as a member of the Fredonia Saxophone Ensemble and the Boston University Wind Ensemble. Originally from Maine, Cara completed her undergraduate work at the State University of New York (SUNY) at Fredonia, where she double-majored, earning a BM in music performance and BS in communication. Cara received her master's degree in saxophone performance from Boston University. She is a faculty member at the Nashua Community Music School and the Timberlane Regional School District. 

John Rabinowitz (tenor) is a frequent guest artist with the New England Conservatory Saxophone Ensemble, and is a soloist with Les Messengers de la Nouvelle Alliance, a Boston based Haitian reggae gospel band that performs throughout eastern Massachusetts. In addition to being a founding member of Area 9, John is also a member and soloist with The Concord Band. John currently serves on the Band’s Board of Trustees. John earned a bachelor of arts in American History from Harvard, then studied classical piano at the Longy School, classical saxophone with Ken Radnofsky at the New England Conservatory, and jazz performance with Mark Phaneuf at the New School of Music in Cambridge, MA. He currently resides in Arlington, MA.

Seychelle Dunn-Corbin (baritone) is a Boston-based saxophonist known for advocacy of works by black, indigenous, people of color, and womxn composers. Seychelle worked in education for the Baltimore Public Schools and is an alumna of Morgan State University, earning both a BA and MA degrees in music, Seychelle continued her education at Longy School of Music of Bard College in Cambridge, MA, earning her graduate performance diploma while studying with classical saxophonist Kenneth Radnofsky. She completed her Doctor of Musical Arts in saxophone performance from Boston University. In addition to her work with Area 9 Saxophone Quartet, Seychelle performs with NorthStar Duo, The Concord Band, and The North Shore Concert Band. She is faculty at Bunker Hill Community College, Salem State University, and Longy School of Music of Bard College, and is the Associate Director of the Community Music School at the Community Music Center of Boston.

Friday, February 14, 2025

Music From Warm Places

The Concord Band Celebrates Latin Rhythms, Dances, and Harmonies

The Concord Band presents Music From Warm Places on Saturday, March 8, 2025, 7:00 PM at the 51 Walden Performing Arts Center in Concord MA. Under the baton of Music Director James O’Dell, the program includes captivating works by Lewis Buckley, Nubia Jaime-Donjuan, Shelly Hanson, Terry White and Óscar Navarro.

Jerry Vabulas
clarinet

A highlight of the program is the Concerto for Clarinet and Wind Band by Spanish composer Óscar Navarro, masterfully performed by Acton resident Jerry Vabulas, an outstanding soloist and member of the Concord Band since 2012. Jerry has also soloed with Leominster Colonial Band, the Fitchburg Military Band, the Carlisle Chamber Orchestra, the Lowell Philharmonic Orchestra and the Lincoln-Sudbury Civic Orchestra. Navarro’s composition displays the full range and virtuosity of the clarinet, along with extended delicate pianissimos and an irresistible touch of jazz.

Jaime-Donjuan’s four-movement Little Mexican Suite is based on traditional Mexican musical genres. Each movement is inspired by a species of tree native to Mexico that has touched the composer’s life. Volver A La Montaña (Return to the Mountain), by Shelly Hanson, is based on the folk music of the Quechua people of Ecuador, Peru and Bolivia. Terry White’s Fantasia Latina, a composition commissioned by percussionist Neil Tischler that premiered in March 2020, is based on four Latin dance styles—tango, danzon, songo and samba—and is full of unexpected rhythmic and harmonic twists. Con Sabor Español (With a Spanish Flavor), composed by the MetWinds' former director, Lew Buckley, also features numerous rhythmic and time changes.

Area 9 Saxophone Quartet

The evening also features a special guest performance by the distinguished Area 9 Saxophone Quartet playing Saxophone Quartet by Venezuelan composer and pianist Aldemaro Romero. Area 9 is a Boston-based ensemble committed to performing rich, diverse, and ever growing chamber music repertoire for saxophone. Its members, two of whom are also Concord Band musicians (*) , include Bennett Parsons (soprano), Cara Hachlen (alto), John Rabinowitz* (tenor) and Seychelle Corbin* (baritone).

Admission is free to the public; donations of $20 are requested. The Concord Band serves the Concord community and surrounding towns. Additional information about the Concord Band can be found at concordband.org, and for the Area 9 Saxophone Quartet at this link.

Saturday, February 1, 2025

Music from Warm Places

2025 Winter Concert Poster

Saturday, March 8, 2025 · 7:00 pm

Our Winter Concert celebrates Latin musical themes with Concerto for Clarinet and Wind Band by Óscar Navarro featuring soloist Jerry Vabulas, Little Mexican Suite by Nubia Jaime-Donjuan, Volver a la Montaña by Shelley Hanson, Fantasia Latina by Terry White (2020 commission), and a guest performance by the Area 9 Saxophone Quartet.

Sunday, January 19, 2025

Meet the Trumpet Section

2025 Concord Band trumpet section (l. to r.): Rob Viola, Cindy Blanchard, Matt Pearson, Paul Mawn, Fred Holmgren,
Margaret Romero, Rich Given, Jake Kinney, Kiana Marsh, Ted Smongeski. Not pictured: Bob Pettipaw.

The Concord Band comprises many talented and accomplished musicians. This article inaugurates an occasional series presenting an in-depth profile of each instrumental section. Leading this project, we introduce the distinguished members of our trumpet section.

Profiles

Cindy Blanchard, a Boxborough resident, joined the Band in 2011. She holds a bachelor’s degree in trumpet performance and composition from Bowdoin College and a master’s in conducting from The College of New Jersey and Juilliard. Cindy founded several ensembles, including the Cape Cod Community Orchestra, the Cape Cod Brass, and the Intergenerational Band. She retired as director of music programs at Maynard High School and is now devoting time to composition.

Richard Given, a native of Vermont now residing in Ayer, joined the Band in 2016. Rich attended the Eastman School of Music and earned a Diploma in Trumpet Performance from New England Conservatory. After graduation Rich started a free-lance career that continues today, having spent over thirty years playing Broadway shows in the pit orchestras of the Schubert, Colonial, and Wang Center theatres in Boston. Rich has been a trumpet instructor at Boston Conservatory, MIT, and Brown University.

Fred Holmgren, a resident of Wendell, holds a Bachelor of Music from Oberlin College Conservatory of Music and has been listed as a notable musician and educator by Marquis Who's Who. He was a specialist in natural trumpet and baroque music at New England Conservatory and has performed extensively both nationally and abroad.

Jake Kinney resides in New Bedford and has performed with the Concord Band since 2021 on trumpet, with our Jazz Ensemble on piano, and leading our Holiday Pops sing-along on vocals. Jake has a bachelor’s degree in physics from MIT and a master’s in linguistics from Boston University.

Kiana Marsh lives in Nashua, New Hampshire, and joined the band in 2024. She attended Keene State University and earned a bachelor’s degree in music. She worked in front-of-house manager roles for the New Haven Symphony and Boston Symphony at Tanglewood and currently works for Verne Q Powell Flutes as operations coordinator.

Paul Mawn has been a member of the Band since 1972 and is the longest-serving trumpet section member. Paul divides his time between Sudbury and Cape Cod. While attending Harvard University, he led a dance band that supported his living expenses. Paul is a retired petroleum industry management consultant and a retired Captain in the US Navy.

Matthew Pearson, a native of Connecticut now living in Chelmsford, graduated from Gordon College with a bachelor's in business administration and a minor in music. He is an operations division leader overseeing veterinary hospitals in the northeast. Matt joined the Band in 2021.

Robert (Bob) Pettipaw, a resident of Newton, joined the Band in 2018. He has degrees from New England Conservatory in trumpet performance and Boston University in music education. Bob is retired from his career as a performer and music teacher.

Margaret Romero lives in Concord and joined the Band in 2022. She holds an undergraduate degree from the University of Wisconsin, Madison, and a Doctor of Musical Arts in trumpet performance and pedagogy from the University of Colorado, Boulder. Margaret is the principal trumpet of the Carlisle Chamber Orchestra, manages ticket sales for the Concord Orchestra, teaches private lessons, and is an elementary brass specialist for the Arlington school district.

Edward (Ted) Smongeski, a resident of Concord, joined the trumpet section in 2024. Ted is a software engineer with a degree from Carnegie Mellon University in chemical engineering, Ted enjoys performing in jazz combos, tabletop board games, and travel.

Robert (Rob) Viola grew up in Stoneham and resides in Melrose. Rob completed a degree in early childhood education at Framingham State University and a graduate degree at Lakehead University in Ontario. Rob is retired after a 42-year career at Verne Q Powell Flutes, where in addition to serving as Vice President of Production, he was co-owner of the company for a while.

Interviews

How did you start playing your instrument?

Cindy—In fourth grade, the school had folks demo the instruments. I fell in love with the clarinet. I told my parents that was my choice; they went off to the pick-up night and came back with a trumpet. The instrument dealer told my parents that as I had an overbite, playing the clarinet would make it worse, and a trumpet would make it better. My grandfather played the trumpet in his youth, too, so that sealed the deal. I never looked back!

Rich—I started playing Trumpet in 4th Grade at my Grandmother’s suggestion. My dad was a well-known jazz pianist, so I heard music in the house constantly!

Fred—I started playing the trumpet when I was eight after receiving the results from a musical aptitude test that claimed I had the ability to play the trumpet.

Jake—I wanted to play trumpet since I was about two years old, primarily inspired by awesome John Williams parts, especially Jurassic Park. I finally got to start at nine years old after I had lost my two front teeth. I've been playing ever since.

Kiana—In the fourth grade, we were given the option to choose an instrument; we had to give our top three choices in case the first pick wasn't available. Both my mother and sister had played flute when they were in school, and I did not want to play the same thing they had. I figured the trumpet was as far from the flute as possible. The day came for us to get our instruments and to my delight, I got a trumpet!

Margaret—I played flute from middle school through high school. I wanted to try out for the marching band, but they don’t have flutes! I was told my best bet was to switch to trumpet or trombone and to get in good shape because it was an athletic feat as much as a musical one. My parents found a trumpet at a garage sale. I ended up loving it, and within a year, I became a trumpet performance music major.

Bob—At age ten, I used to listen to old 78 rpm records that my parents had. A Boston Pops recording that opened with the race track call was so exciting it made me want to play the trumpet. Little did I know that some years later, Roger Voisin would become my mentor and a lifelong friend, which led to my playing extra trumpet with the Boston Symphony and Pops.

Paul—In sixth grade, I was taught how to blow an old trumpet and what valves to press for “Notre Dame March” and “Nearer My God to Thee.” I then accompanied the school march into classrooms every morning and afternoon. I paid for private lessons out of my paper route earnings. As a member of the Harvard University band, I performed at every home and away football game.

Matt—I started on the piano—for one week! My sister was playing trumpet at the time, and that appealed to me. I started playing in the school band in the sixth grade and continued playing in high school concert, marching, and jazz bands.

Ted—I started trumpet at age eight after a false start on the piano. My mother ran a music school and my dad studied classical guitar, so it wasn't a question that I'd be playing something. I started playing jazz around middle school and realized that I loved improvisation. I played throughout college in concert bands, jazz bands, and orchestra.

Rob—I played trumpet from age six through high school. I stopped playing trumpet for forty years, then picked it back up ten years ago. Now, I play in both the Lexington and Concord bands.

What inspires you and keeps you interested in music performance?

Cindy—I love playing in a group, hearing all the different instruments and parts, and love the literature. Practicing has never been a chore but rather something to look forward to. Knowing that we are working together towards a common goal is inspiring. I have always loved Maurice Andre's sound and try to emulate that as much as I can. I also play a decent amount of flugelhorn, hoping that someday I might sound like Chuck Mangione!

Fred—I made a living playing the valved and valveless trumpet (the trumpet had no valves until about 1835). I've played the trumpet most of my life, and it's kind of a habit.

Rich—The most inspiring thing is listening to great players and having the good fortune to play with hundreds of legendary entertainers. Having broken-in Broadway shows in Boston and New York, I got to sit next to my heroes, Doc Severinsen and Irving Berger, and became friends with Stephen Sondheim. Their unique styles influenced me and became embedded in my playing.

Jake—The community element is a key part of my music performance; it feels great to create something together. I'm always inspired by excellent musicians and hearing the wonderful things people can do.

Kiana—Performing in itself is enjoyable. But my favorite part is feeling the music thrumming through your body, the pause after the last note, and the joy of sharing the experience with your friends.

Paul—Playing with the Concord Band has made me a better musician. Keeping my “chops up” is fun as well as challenging and good for my physical and mental health.

Matt—I enjoy making music myself and making music with others even more. Rehearsals are the best part.

Ted—Listening to good music, particularly live, gives me the itch to play classical, jazz, and sometimes rock/ska music featuring horns.

Please share an anecdote about the Concord Band.

Cindy—I recall when I first joined the Band hearing the interesting banter between folks in my section. Everything from politics to which collegiate marching band is the best.

Fred—I was recruited to the band by the current principal trumpeter, Rich, whom I've been working with since 1964.

Rich—The Concord Band is a rare and unique setting to play concert band repertoire at a high level. Since joining the Band, I’ve seen tremendous growth and success with the overall product.

Jake—My grandpa, Ken Troup, has been playing in the Concord Band my whole life; he's the reason I'm in the band. When I was a kid, the Band performed Phantom of the Opera, which featured a bloodcurdling scream from backstage. After the concert, I was shocked and impressed that my grandma, Brenda Troup, had delivered the scream!

Kiana—The Concord Band is full of talented musicians I enjoy getting to know. Learning from and hearing about their experiences is helpful in navigating the music industry.

Paul—After completing active duty in the Navy, I played with several town bands until I joined the Concord Band. I am proud to have played the first performance of many Concord Band commissioned original compositions, especially Satiric Dances and Overture to a Winter Festival.

Margaret—The Band has such a great trumpet section! Not only is it filled with some truly outstanding players, but also they are lovely people! Everyone is kind and supportive, and we genuinely enjoy spending time and making music together!

Matt—Margaret and I played in the Carlisle Chamber Orchestra together, and she told me about the Band. I asked her to keep me in mind, and she got me in as a sub. I was so excited. My first experience was the summer session; it was a lot of music to absorb! I love our section, a lot of great people. About a year later, my wife Beth was able to join on flute!

Bob—Rich Given invited me to join the Band when I retired from teaching at Boston Conservatory and New England Conservatory. Since then I have seen a dramatic improvement in our section's playing level.

Ted—A few years ago, I heard the caliber of the performance at a Fruitlands summer concert, then [trombonist] Peter Norton mentioned the Band needed a trumpet player, and here I am!

What motivates you going forward?

Cindy—I always look forward to the next packet of music. It's a joy to work on our music and get it concert-ready. It's also exciting to get that new music packet and see what we'll be playing next. I strive to play my best to add to the sound of the Band.

Rich—I’m excited to keep contributing at a high level, to help recruit great musicians, and to keep fun in music! I like to stay in shape and mentally acute for the demands of life and performing!

Fred—It’s relatively simple: keep learning to play trumpet better.

Jake—I've enjoyed playing in chamber ensembles within the Band. I'd love to do more of that and hope to perform my compositions with the Band.

Kiana—I'm looking forward to our summer Fruitlands concert series and, of course, seeing more of the interesting gadgets my fellow trumpet players bring to rehearsal.

Paul—I look forward to continuing to rehearse and play with the Concord Band for the Holiday Pops and Spring Pops concerts. I perform with the Harwich Town Band and occasionally with a dance band on the Cape during the summertime.

Matt—I enjoy classic wind ensemble music. Holst, Grainger, and all of that. I'm looking forward to playing more of those.

Bob—It keeps me on my toes to match the players around me!

Ted—I was on a hiatus since college, and have always known I'd return to my trumpet again. I'm looking forward to playing with the band as much as I can!

Wednesday, January 1, 2025

Concord Band Contributes to Soundtrack for PBS Documentary

Roger Cichy

The Concord Band is proud to have contributed in a small way to the music score for "Dad's Secret War," a documentary film narrated by Kevin Bacon that aired on PBS on November 7, 2024. The Band performed background music with archival footage showing the victory parade and awards conferred on members of the French resistance. We interviewed the music director for the film, Emmy-award winner Roger Cichy, whose works have been commissioned and performed by the Band on several occasions.

Congratulations on your original music and scoring for the film. Thank you for bringing us into the project, we certainly enjoyed participating and admire your work bringing this film to life with music.
I just got back from Washington DC, attending an event at the French Embassy, where the film was screened [see photo]. It was great hearing the Concord Band in this documentary film.
How did you come to select the Concord Band to perform for this scene?
Things happen pretty quickly in film scores. There is not a lot of time to write, edit and record music that goes into the film. It was summer and having a close association with the Concord Band, I knew they would still be actively performing. I approached [music director] Jim O'Dell and said, "The Concord Band has done about everything a community band can do, would you consider adding a music cue for a film with a movie credit to your long list of accomplishments?"
The Band was excited to do the project! What was the inspiration behind the musical selection, "Le Regiments de Sambre et Meuse"?
The producers wanted a march to emote the liberation of France, the celebrations, and awarding medals to the deserving heroes. This composition is in the public domain so there are no copyright or royalty considerations, and it fit very well the character of the scene. It conveys a sense of national optimism and patriotic spirit that existed at the end of the Nazi occupation. I also knew about the piece because it is the theme that my alma mater Ohio State University Marching Band plays when it performs its famous “Script Ohio."
What were the technical aspects or challenges for recording the Concord Band?
Since this was underscoring in the film, I needed only two pairs of condenser mics at 51 Walden. When including the foreground narration and sound effects, professional results were achieved. The real challenge was determining a tempo that would mesh with the initial marching shown in the opening sequence. A tempo of 110 beats per minute worked well and the Band was able to maintain that tempo. To transition from the previous scene, I added a drum roll as a segue into the march. It really helped that the Concord Band was well rehearsed and prepared for recording the music cue. That made my job so much easier.

The film is available online for a limited time at https://www.pbs.org/video/dads-secret-war-france-1944-au65GP/. The Concord Band is heard beginning at the 51-minute mark.