Monday, September 15, 2008

Fall Concert Begins 50th Anniversary Season

The Concord Band will open its 50th Anniversary season with its annual Fall Concert to be presented at The Performing Arts Center at 51 Walden Street in Concord on Saturday, October 25, 2008, at 8:00 p.m. Last year, the Band began a two-year celebration of its 50th anniversary by featuring performances of its favorite commissioned works in concerts throughout the year. 

Julie Grioux
Composer
This concert will feature a performance of Julie Giroux's Boston Liberties, which the Concord Band commissioned in 2002, as well as the world premiere performance of a new composition for band by Concord composer Michael Weinstein. The Band is also thrilled to welcome back guest conductor Dr. Steven Grimo, who last appeared as guest conductor with the Band in March 1997.
Dr Steven Grimo
Lt Col USAF (retired)
Guest Conductor


Now in his final season as Music Director of the Concord Band, Dr. William G. McManus will open the concert with March of the Tall Ships, an exciting concert march composed by Jay Chattaway in commemoration of the 1976 Operation Sail, which was the largest gathering ever of tall sailing ships from all over the world. This historic event took place in New York harbor on July 4, 1976, as part of America's bicentennial celebration.

Composer Michael Weinstein, a resident of Concord, is a prolific writer with more than fifty works in the concert music field to his credit. His compositions include pieces for symphony orchestra, wind ensemble, chamber works, and solo instrumental pieces. The Concord Band is honored to present the world premiere of his composition Four Songs Without Words on Poems of Kliest for Concert Band.

The concert will continue with a performance of the beautiful Percy Grainger setting of the Scottish folk song, Ye Banks and Braes O' Bonnie Doon, followed by Julie Giroux's Boston Liberties, a four-movement work reflecting the seafaring life of Boston of the late 1800s. The Concord Band presented the world premiere of this work in March 2003. The first half of the concert will close with An Ellington Portrait, a setting of eight of Duke Ellington's greatest songs.

To open the second half of the concert, guest conductor Steven Grimo will take the podium for a performance of Julie Giroux's exciting La Mezquita de Cordoba, a musical celebration of the multicultural, religious, and artistic accomplishments that took place in the magnificent La Mezquita Cathedral in Cordoba, Spain. Dr. William McManus will return to the podium for a performance of Robert Russell Bennett's wonderful arrangement of music from George Gershwin's Porgy and Bess.

Dr. Grimo will close the concert with March Madness, an exciting march composed of bits and pieces of numerous well-known marches. This concert promises to be an exciting start to the Concord Band's 50th Anniversary season.

Thursday, June 12, 2008

Visionary Leadership: Dr William McManus

Music Director Dr William G. McManus
By Laura Finkelstein
Assistant Publicist, The Concord Band


Concord,MA, June 12, 2008 — The words say it all: Concord Band Music Director Dr. William G. McManus was honored in March with the presentation of one of the most distinguished awards given to music educators, the Visionary Leadership Award. This award speaks to his long and admirable career as a music teacher and advocate for music education in the public schools. The award was bestowed by the Administrators in Music Education, a subset of the MMEA (Massachusetts Music Educators' Association).

As Steve Damon wrote in the MMEA Newsletter, "Viewpoint" in a 2004 article entitled "Raising Our Standard": "Here in Massachusetts, when we speak of music education legends, we need only two words: Bill McManus!"

Thursday, March 6, 2008

Review: Band's sounds of the season

By Pamela J. Marshall
Submitted to the Concord Journal

The highlight of the Concord Band's Winter concert was Colours by Roger Cichy, written in 1997. The band has commissioned Cichy for its 50th anniversary concert in March 2009, and throughout this season, Music Director William McManus has been introducing this composer to band members and audiences by programming some of his other music. Colours is a challenging, complex work with flavors of a big-band jazz sound.

The piece has six short movements, each named after a color with a suggestive mood, such as mauve, dark ivy, amber. At the opening, a fast fanfare motive was passed among the sections — trumpets, horns, woodwinds — and everyone executed these technical passages with panache. The second movement included a bluesy introduction of parallel chords and a modal melody with lovely ornaments, played with expression by the piccolo and saxophone. The third movement was strongly reminiscent of Bernstein's West Side Story and there was crisp playing from the percussion section. The big band feeling got stronger in the fifth movement with a sax solo that could have been in a James Bond movie; the performer appropriately over-dramatized it with lots of vibrato, making me smile. The last movement was up-tempo, full of irregular rhythms and rich, dark harmonies and the brass really wailed at the climax.