Leonard Bernstein wrote his first Broadway musical On the Town based on the successful Bernstein-Jerome Robbins’ ballet Fancy Free earlier in 1944. On the Town follows the adventures of three sailors on shore leave in New York City and is focused on a series of dance episodes choreographed by Robbins; the three dances were selected by Bernstein for an orchestral suite. The band transcription is by Paul Lavender.
Leonard Bernstein composer and conductor |
French composer Charles Gounod was born in 1818 and the Band will perform his Petite Symphonie (Nonet) and Funeral March of a Marionette. The latter was originally written for solo piano and then orchestrated a few years later by Gounod. It is perhaps best known as the theme music for the television program “Alfred Hitchcock Presents.” The Petite Symphonie is for 2 each oboes, clarinets, horns, bassoons, and one flute.
Gustav Holst’s The Planets was premiered in 1918. The Concord Band will play the first movement, “Mars: The Bringer of War.” For another noted composer for British military bands, Percy Grainger, 1918 was also a significant year. Grainger became a U.S. citizen that year after serving throughout World War I as a U.S. Army bandsman, and that year he published two of his enduring settings for band based on British Isles’ folk songs: Irish Tune from County Derry and Shepherds Hey. These separate pieces were published together and so will be performed as a suite.
In 1918, Gustav Holst’s friend Ralph Vaughan Williams became the director of bands for the British Army. In 1924 Vaughan Williams composed an original work for band, Toccata Marziale, in commemoration of the British Empire Exhibition. The piece is considered a masterpiece of both counterpoint and instrumental color, and holds an important place in the wind band repertoire.
Richard Given trumpet |
A Trumpeter’s Lullaby was written by Leroy Anderson at the request of Roger Voisin, principal trumpet of the Boston Pops, who asked that Anderson write a trumpet solo for him to play with the Pops. Voisin, who was born in 1918, suggested it be different from traditional trumpet solos “which are all loud, martial, or triumphant.” Anderson said it occurred to him that he had never heard a lullaby for trumpet so he wrote a quiet melody based on bugle notes played by the trumpet and with the rest of the orchestra playing a lullaby background. The piece is now famous around the world in orchestra and band versions orchestrated by Anderson himself. At the March 3 concert, the trumpet solo will be played by the Concord Band’s principal trumpet Richard Given, who for four years was a student of “his hero” Roger Voisin.
The Concord Band’s March 3 concert will be held at 8:00 pm at the Performing Arts Center at 51 Walden Street in Concord. The concert is free with donations gratefully accepted. The Concord Band is supported by grants from Concord, Harvard, and Bolton Cultural Councils, agencies of the Massachusetts Cultural Council.