Fugue à La Gigue

When Gustav Holst was commissioned to write Hammersmith for the BBC Wireless Military Band in 1928, he felt rather out of practice in orchestrating for the medium. For some years he had had the idea of arranging some Bach fugues for brass and military band, so he set himself the task of scoring the Organ Fugue in G Major BWV 577 (from Preludes, Fugues and Fantasias). Holst, rather than Bach, called it Fugue à La Gigue. The piece made an ideal exercise and Holst’s brilliant dovetailing of the counterpoint between different instruments shows his mastery. The piece is technically demanding and the characteristic unison clarinet writing suggests the orchestral conception of a large wind ensemble rather than a band. It was this conception which the composer carried forward into Hammersmith. (Source: Publisher)