2013 Fall Concert

By Request

Saturday, October 26, 2013

The Concord Band

James O’Dell, Music Director

Steven Barbas, Assistant Conductor

Chi-Sun Chan, Tuba Soloist

Program
James O’Dell conducting
Esprit de Corps	Robert Jager
An Original Suite	Gordon Jacob
March Intermezzo Finale
Capriccio for Solo Tuba and Wind Band	Rodney Newton
Chi-Sun Chan, tuba
“Gandalf” from Symphony Nr. 1, “The Lord of the Rings”	Johan de Meij
Nobles of the Mystic Shrine	John Philip Sousa
Intermission
Quartets	Roger Cichy
October	Eric Whitacre
Symphonic Dance No. 3, “Fiesta”	Clifton Williams

Read all notes for this program...

An Original Suite

British composer Gordon Jacob holds a unique and special place among early writers for wind band, and was one of the foremost contributors to the expanding repertoire of original works for this ensemble. An Original Suite was his first composition for band, completed in 1928. The three-movement suite (March, Intermezzo, Finale) draws on original folk-song material and is specifically written for military band, an instrumental distinction separating the concert band from the traditional and ever-popular British brass band. (Source: Band Music Notes, Norman Smith and Albert Stoutamire.)

Esprit de Corps

Esprit de Corps by Robert Jager was commissioned by the United States Marine Corps Band, Colonel John R. Bourgeois, conductor. The march is based on “The Marines Hymn” and is a tribute to the Marine Band and the Corps. It is a lively and superbly crafted march: dramatic, solemn, inspirational and fast (“tempo di Bourgeois”). About this piece, Jager writes: “The composer intends that this work should display the fervor and virtuosity of the Marine Band and the musical spirit and integrity of their conductor.” (Source: JRO and published score.)

Capriccio for Solo Tuba and Wind Band

Composer Rodney Newton has scored music for films and TV, and was Music Consultant to the London Film School for 21 years. His Capriccio for Solo Tuba and Wind Band is a lush composition in the Romantic style, featuring the lyrical and technical virtuosity of the tuba. The instrument was a late arrival to the symphony orchestra and familiar solo repertoire (i.e. solos for violin, clarinet, cello, etc.). The work is scored in the tuba’s tenor range and is punctuated with rapid rhythms and soaring melodies that capture the beautiful voice and timbre of the instrument. (Source: James R. O'Dell.)

Symphony Nr. 1, “The Lord of the Rings”

Johan de Meij’s five-movement Symphony Nr. 1, “The Lord of the Rings”, won first-prize in the 1989 Sudler International Composition Competition. The first movement is a portrait of the wizard Gandalf, one of the principal characters of the literary trilogy. His wise and noble personality is expressed by a stately motif. The piece begins with a slow Maestoso; the sudden Allegro Vivace is indicative of the unpredictability of the grey wizard, followed by a wild ride on his beautiful horse Shadowfax. (Source: published score.)

Nobles of the Mystic Shrine

Unique among the many marches penned by John Philip Sousa, his 1923 Nobles of the Mystic Shrine (his only march with a part for harp) also features the triangle and tambourine. It was written at the request of his nephew and sponsor, A. R. Varela, immediately after Sousa became a member of the Ancient Arabic Order of Nobles of the Mystic Shrine. Sousa was named the first honorary director of the Almas Temple Shrine Band in Washington during the same period. (Source: Band Music Notes, Norman Smith and Albert Stoutamire.)

Quartets

The music of New England-based composer and University of Rhode Island professor, Roger Cichy, has become a favorite of the Concord Band. Among his many compositions for band, Cichy describes Quartets as “a unique work exposing a multitude of quartets that exist within the full ensemble.” During the use of the transparent and exposed textures utilized in many compositions, composers tend to use combinations of instrumental colors that seem fitting and appropriate for the desired texture. In Quartets, Cichy relies on traditional quartets to fulfill the instrumental colors during those times when the musical textures become transparent and exposed. Cichy was able to make use of fourteen different quartets within the composition. This work contains a total of twenty episodes, sometimes brief, where one or another of these quartets is used. (Source: JRO and published score.)

October

Eric Whitacre is an accomplished composer and major figure in contemporary music, having received awards from ASCAP and the American Choral Directors Association, and honored with a Grammy nomination in the contemporary classical composer category. October was commissioned by the Nebraska Wind Consortium, consisting of more than twenty-five high schools, colleges and universities throughout the midwest. The work captures the essence and mood of a crisp October day, with its beautifully natural harmonic language and flavor of the changing season. Whitacre writes: “The simple, pastoral melodies and subsequent harmonies are inspired by the great English Romantics (Vaughan Williams and Elgar), as I felt that this style was also perfectly suited to capture the natural and pastoral soul of the season.” (Source: JRO and published score.)

Symphonic Dance No. 3 “Fiesta”

Symphonic Dance No. 3 “Fiesta” by Clifton Williams depicts the pageantry of Latin American celebrations—street bands, bull fights, bright costumes. It is one of a group of five pieces originally commissioned for the twenty-fifth anniversary of the San Antonio Symphony Orchestra. It was later re-scored for band and first performed in March, 1967, by the University of Miami Band, under the composer’s direction. (Source: Band Music Notes, Norman Smith and Albert Stoutamire.)